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薩莉亞蘇丹（多格雷·斯科特 Dougray Scott 飾）一直無法原諒妻子和自己的弟弟偷情，盡管妻子已經(jīng)不在人世，但他依然被憤怒和絕望侵?jǐn)_，整整四十天無法入睡，肉體和精神都已經(jīng)瀕臨崩潰的邊緣，再這樣下去，他不僅無法繼續(xù)坐在王位上，更有可能連性命都丟掉。
按照律法，薩莉亞蘇丹必須馬上找到一名女子與其結(jié)婚，可是，薩莉亞蘇丹早已經(jīng)失去了對(duì)女人的全部信任，他決定在新婚當(dāng)晚便處死自己的妻子。這個(gè)命不久矣的女人便是桑赫萊扎德（米莉·阿威塔爾 Mili Avital 飾）。然而，桑赫萊扎德并沒有屈服于命運(yùn)，而是運(yùn)用自己會(huì)講故事的天賦，用一個(gè)又一個(gè)充滿了天馬行空的奇思妙想的故事留住了自己的性命，并且最終喚起了薩莉亞蘇丹對(duì)于愛情的渴望。
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2024 劇情簡(jiǎn)介： Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.